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Imaginary worlds are the best

A new play is a new planet - populated by the strange and the ordinary.

Pulling a story to stage draws down the abstract and concrete parts of the creative process.

A tale cannot be told without a decent setting.

A character cannot initiate or respond without good, strong motivation.  And a plot cannot develop without an underlying lesson.

I love writing plays.

More than critical, social commentary, writing for the theatre offers an opportunity to review, revise and revisit reality.

For over ten years,  I paid serious, important attention to media - listening for inspiration, seeking a hook upon which to hang a critical view of my world.

Writing a play is the direct opposite.

Now, instead of paying attention, I ignore the news.  Instead of seeking to criticize, I yearn to inspire.

It's a loftier calling.

Granted - it makes a woman a little crazy.  Imagine, if you can, what my day is like.

I rise early, walk my adorable dog, do what must be done around my house.

I pack a bag and travel to my coffee shop.  For the next four hours, I no longer live in St. Paul, Minnesota.  I have no children, no responsibilities, no obligations, no bills, no worries, no fear.

For the next four hours, I live in la-la-land.

Sometimes, sitting there alone, I speak aloud the lines my characters bring to life.

"Well, butter my butt and call me a biscuit."

Or -

"You don't have the good sense god gave a gopher."

I know.  My stuff ain't Shakespeare.

It's Holmgren. 



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